EASTER AND THE TOTEM Framed Poster | Jackson Pollock Framed Prints Wall Art | Jackson Pollock Store
EASTER AND THE TOTEM Framed Poster | Jackson Pollock Framed Prints Wall Art | Jackson Pollock Store
EASTER AND THE TOTEM: A Masterpiece of Abstract Expressionism
Jackson Pollock's Easter and the Totem (1953) is a compelling example of his later period, where he revisited mythological themes and totemic imagery. This fine art print captures the raw energy and complex layering characteristic of Pollock's drip technique, yet with a distinct shift towards darker, more introspective tones and figurative suggestions. As a leading figure of Abstract Expressionism, Pollock revolutionized modern art, and this piece exemplifies his relentless experimentation.
Our museum-quality reproduction brings the depth and texture of Pollock's original oil painting into your space. Printed on 250 gsm FSC-certified matte paper, the print preserves the subtle nuances of the artist's palette from earthy browns to striking blacks and whites. The sturdy pine wood frame, available in four elegant finishes (white, wood, dark wood, black), complements any interior. Protected by shatterproof plexiglass and ready to hang, this framed poster is a testament to Pollock's enduring legacy.
Whether you're a seasoned collector or an admirer of mid-century abstraction, Easter and the Totem offers a window into Pollock's later explorations. Elevate your space with this archival-grade framed print, exclusively curated by Jackson Pollock Store. For more framed posters, explore our Jackson Pollock Framed Posters collection.
Product Specifications
- Ready-to-hang: Includes hanging kit for immediate installation.
- Frame Material: Durable pine wood, 20-25mm thick, 10-14mm wide.
- Paper: 250 gsm (110 lb), 0.29 mm thick, matte, uncoated, natural white.
- Protection: Shatterproof plexiglass.
- Sustainability: FSC-certified or equivalent materials.
- Available Sizes: 4 sizes to fit your space.
- Frame Types: White, Wood, Dark Wood, Black.
What is the significance of 'Easter and the Totem' in Pollock's career?
Created in 1953, it reflects Pollock's later return to mythological and totemic themes, blending abstraction with symbolic imagery, marking a departure from his classic drip paintings.
What makes this framed poster museum-quality?
It uses 250 gsm FSC-certified matte paper, a sturdy pine frame, and shatterproof plexiglass, ensuring archival preservation and exceptional visual fidelity.
Is the frame ready to hang?
Yes, each framed poster includes a hanging kit and arrives ready to hang, so you can instantly display your Jackson Pollock print.
What sizes and frame types are available?
Choose from 4 sizes and 4 frame types: white, wood, dark wood, and black, to perfectly match your decor.
How is the artwork protected during shipping?
The poster is shielded by shatterproof plexiglass and packaged securely. In the unlikely event of damage, we offer a free return.
What does 'Easter and the Totem' depict?
It features abstract, totemic forms in dark hues, evoking primal symbols. Pollock's layered technique creates depth, inviting personal interpretation.
Is the paper sustainable?
Yes, we use FSC-certified or equivalent paper, reflecting our commitment to environmental responsibility without compromising quality.
Can I clean the plexiglass without damaging it?
Yes, gently wipe with a soft, damp cloth. Avoid harsh chemicals to maintain clarity and protect the artwork.
What is Jackson Pollock Store's return policy?
We offer a free return if the item arrives damaged. Your satisfaction is our priority, ensuring a risk-free purchase.
Does this print come with a certificate of authenticity?
While not a limited edition, each print is produced to museum standards. For authenticity inquiries, please contact our support team.
How does this work reflect Pollock's artistic evolution?
In the 1950s, Pollock reintroduced figurative and symbolic elements, as seen in 'Easter and the Totem,' showing his continuous innovation beyond drip painting.
What inspired the title 'Easter and the Totem'?
The title suggests a blend of Christian and indigenous symbolism, reflecting Pollock's interest in myth and ritual, though he never fully explained its meaning.
What techniques did Pollock use in this painting?
He combined dripping, pouring, and brushwork, creating a dense, textured surface that bridges abstraction and allusion.